Guide 04 · Video for hybrid photographers5 min read

Video kit for hybrid wedding photographers

The video kit a hybrid wedding photographer needs, from a second body, gimbal and phone to microphones, ND filters, batteries, cards and a tripod.

On this page
  1. Do you need a second camera body for video?
  2. Is a small gimbal worth it for wedding video?
  3. Can you film a wedding on a phone?
  4. What audio kit does a hybrid photographer need?
  5. Why do you need ND filters for wedding video?
  6. What batteries and cards do you need for video?
  7. Do you need a tripod for the ceremony and speeches?
  8. What can you leave at home?

In short

A hybrid wedding photographer needs little extra kit for video. A second body kept set up for video, a small gimbal or a phone, a wireless microphone into the camera, a variable ND filter, spare batteries, fast cards and a small tripod for the speeches cover most weddings.

Video kit can grow without end, but a hybrid photographer needs a short list that fits in the bag you already carry and works when you have seconds to switch. This article goes through each category, what it does on the wedding day and what to check before you buy. Prices change often, so they’re left out; ask of each item whether it solves a problem you actually have. It’s part of our guide to video for hybrid wedding photographers.

Do you need a second camera body for video?

For most hybrid photographers, yes. Switching one camera between stills and video mid-moment is how shots get missed. A second body can stay set up for video all day and sit on a tripod recording the ceremony while you keep photographing.

What to look for:

  • The same lens mount as your stills body, so you can share lenses. The same batteries help too.
  • 4K recording, ideally without a heavy crop at the frame rates you plan to use.
  • Reliable face and eye autofocus in video, because you won’t always be watching the screen.
  • In-body stabilisation for handheld clips.
  • A microphone input and a headphone socket, so you can plug in a wireless receiver and check the sound.
  • How it copes with long recordings. Check its continuous recording limit and whether it overheats in a warm room.

Sony, Canon, Nikon, Panasonic and Fujifilm all make bodies that handle stills and video well. A second body from the system you already own is usually the simplest choice.

Is a small gimbal worth it for wedding video?

A gimbal gives smooth movement that is hard to get handheld, such as walking with the couple, following the confetti or circling the first dance. For a hybrid photographer, a small gimbal such as a DJI Osmo makes more sense than a large gimbal carrying a full camera and lens. It is light, quick to start and needs little or no balancing, so you can use it for a minute between portraits.

The trade-offs are another battery to charge, another card to offload and footage from a different sensor. Match its frame rate and white balance to your main camera so the clips sit together in the edit.

Can you film a wedding on a phone?

For short clips, yes. A current phone records sharp 4K video and is always in your pocket, so it suits quick, candid moments and vertical clips for a teaser. Framing wedding video for vertical covers when to shoot vertical and when to crop later.

A few habits help:

  • Clean the lens before each use.
  • Set the same frame rate as your cameras.
  • Lock focus and exposure on the subject before you record.
  • Copy the original files to your computer by cable or a full-quality transfer. Messaging apps compress video.
  • Recent iPhones can record HDR video, which looks different from camera footage when the two are mixed. AfterRushes converts iPhone HDR video to normal colour automatically; elsewhere, check how your software handles it.

What audio kit does a hybrid photographer need?

Sound carries the vows and speeches, and a camera’s built-in microphone is too far away to catch them. Three categories cover most weddings.

  • A microphone on the camera. An on-camera microphone records cleaner ambient sound than the built-in one, useful for atmosphere and as a backup, though still too far away for clear vows.
  • Wireless lavaliers. A small transmitter with a clip-on microphone sends sound to a receiver on the camera. Clip one to the groom or the officiant for the vows. Kits such as the DJI Mic range are built for this, and many transmitters can also record internally as a backup, so check yours.
  • A small audio recorder. Placed near the PA speaker or plugged into the venue’s desk, it catches the speeches and gives you a second source. A 32-bit float recorder reduces the risk of clipping when the room suddenly laughs or cheers.

Add a pair of closed-back headphones so you can hear what you are recording.

Placement, levels and backups are covered in recording vows, speeches and the band, and using vows and speeches in a highlight film shows why they are worth the effort.

Why do you need ND filters for wedding video?

In video, the shutter speed stays at about double the frame rate (1/50 at 25 fps) to keep motion looking natural. In bright sun at a wide aperture, that lets in far too much light, even at base ISO. A variable ND filter works like sunglasses for the lens, so you can keep a video shutter speed and a shallow depth of field outdoors.

Buy one for your largest filter thread and use step-up rings for smaller lenses. Cheaper variable NDs can add a colour cast or a dark cross pattern at their strongest settings, so test yours before a wedding. The reasons behind these numbers are in camera settings for wedding video.

What batteries and cards do you need for video?

Video drains batteries much faster than stills. Carry spares for every device that records, including the gimbal and the wireless microphones, and charge everything the night before.

Cards need to keep up with the camera’s recording bitrate. Check which cards your camera maker lists for the resolution and frame rate you plan to use. For SD cards, look for a video speed class such as V30, V60 or V90. A card that is too slow can stop a recording partway through. If your camera has two slots and can record video to both at once, use that as a backup.

Carry more cards than you expect to need, and keep every part of long recordings the camera splits into several files, as the footage workflow explains.

Do you need a tripod for the ceremony and speeches?

A small tripod turns your second body into a locked-off camera for the ceremony and speeches while you photograph elsewhere. A compact tripod or a clamp fits places a full-size tripod can’t, such as the end of a pew or the edge of a table. Use the same quick-release plates across your kit, and place the tripod where it won’t block guests or the officiant. Frame a little wider than you need, because people move.

What can you leave at home?

Sliders, large gimbals, lighting kits and drones all have their place in dedicated video work. For hybrid coverage they add weight and set-up time you won’t have on the day. Drones also come with rules that vary by country and venue.

Kit is part of what you charge for. Adding video to your wedding packages shows how to spread its cost across your weddings.